I have the very prolific Kim Cox today on my blog, as she continues her “Spotlight” Tour! Let us give her that support for which we are best known. The #RRBC Support! Welcome to my blog Kim.

Writing Less to Say More – #Writers

 

Last month I read a few articles about writing less to say more. I’ve come a long way but I still struggle with this. Writing a story came much easier before I learned so many rules about it.

Okay, I’m from the south, born and raised in North Carolina. I’ve lived in the southeast of the United States all my life. I moved to the western part of the state about twenty-seven years ago. I now live in the North Carolina mountains. People move here from everywhere. Most of those I work with lived somewhere else, Texas, New York, and Virginia are three of the places I know for sure.
Being southern, I naturally love to use lots of words to get my point across. I don’t really write flowery or try to use big words but I do talk and write in a wordy manner. Why use two words when I can use five or ten instead. For example, I used to say (until someone made fun of me), “I need to go do that now or I’ll be forgot.” Trying it again in a shorter manner, “I need to do that now before I forget.” Even shorter. “I’m doing it now.” See how easy that was. Not really but you get the idea.
In other words, coming from the south, I grew up in a passive speaking atmosphere. I try my best to write active instead. I even try to talk better.
At work, I write in a business manner, so I’m forever changing the words “You need to” or “You should” to “This needs to be” or “This should be” in order to not come off to others as accusatory. So, sometimes I have to use more words than are needed to not sound harsh to the person I’m trying to train or explain something to. This doesn’t help my fiction writing where I need to write shorter and less stilted. Business writing is formal, especially the reports I have to write.
Does anyone have a trick they use to keep their writing short and less wordy?
For more information on the subject of Writing Less to Say More:
Write Less, Say More: The Power of Brevity
How to write less and say more
Embracing Brevity: How to Write Less and Say More
Saying It Short: A ‘Less Is More’ Guide to Effective Writing

About Kim Cox

Kim Cox is an author of Paranormal, Mystery, Suspense and Romance. She lives in the Blue Ridge Mountains of North Carolina with her chain saw artist husband, their West Highland White Terriers–Scooter and Harley, and a Yorkie mix, Candi. Kim is published in novels, short stories and articles. 

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ALL THIS TIME
Style & Profile Series – Book 1

At thirty, Jenny Morgan’s biological clock is ticking. But as a fashion magazine CEO with a busy schedule and no significant other, her wish is unlikely to come true. When her father receives a potentially terminal diagnosis, he longs for a grandchild before he dies. With her religious beliefs, a sperm donor isn’t an alternative. Jenny’s only immediate available option is her single co-worker and best friend, Trevor Drake. Can she really trust him to be a good husband?
Trevor has loved Jenny since college, but she only sees him as a friend with no ambition. After he learns of her predicament, he proposes and sets out to prove he can provide everything she needs. Jenny is determined to have a prenuptial agreement with an “out” clause after one year. Can Trevor convince Jenny of his love by then?
As if they don’t have enough on their plate, someone at the magazine is out to stop their wedding and their impending parenthood, and destroy the magazine’s reputation. Jenny is nearly killed in a sabotage attempt. Can Jenny and Trevor to make a life together while uncovering a common enemy?
Available now in print and electronic formats through Amazon Kindle and Amazon Print,  24Symbols, Barnes & Noble Nook, iTunes iBook, Kobo, and Page Foundry.
Read more . . .
Coming up next in the Style & Profile series, book two, BEFORE WE WED: With her family visiting from Atlanta, Sarah Martin is left at the altar when her fiancée, Jon Clayton, is carried off in handcuffs for running a car theft ring. Is Jon being guilty or being framed? If was frame, can Sarah find out who’s behind it without getting herself killed?